tag:blogger.com,1999:blog-19336675.post1015535436209669511..comments2023-11-03T06:02:02.128-07:00Comments on By Ken Levine: Writers' Indignity #4826By Ken Levinehttp://www.blogger.com/profile/17305293821975250420noreply@blogger.comBlogger32125tag:blogger.com,1999:blog-19336675.post-73581401715877111792018-04-26T10:17:08.008-07:002018-04-26T10:17:08.008-07:00Wait, you missed the better Woody Allen joke from ...Wait, you missed the better Woody Allen joke from that routine. He initially takes the call and tells the ad agency that he is an artist, does not do commercials and doesn't pander. They say, "Too bad, it pays $10,000." Woody says, "Hold on, I'll put Mr. Allen on the phone."Donald from Chicagonoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-16522221541599460372018-04-25T04:23:09.367-07:002018-04-25T04:23:09.367-07:00Andy Rose: Yes, some commentaries are just cast pa...Andy Rose: Yes, some commentaries are just cast parties..."Wow! I don't remember this episode and I'm not sure I ever saw it before but isn't it great to be here together having fun?" At least podcasts are contemporaneous enough that people still remember what they're talking about. <br /><br />wgWendy M. Grossmanhttp://www.pelicancrossing.netnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-37924182158351532722018-04-23T18:16:48.750-07:002018-04-23T18:16:48.750-07:00What's a DVD?What's a DVD?Greg Thompsonnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-63217662219700627202018-04-23T17:15:46.805-07:002018-04-23T17:15:46.805-07:00@Wendy M. Grossman: I really like some of the podc...@Wendy M. Grossman: I really like some of the podcasts that are out there now, particularly for Vince Gilligan's programs. He makes a point of inviting a variety of people involved in the production for different episodes. Over the course of a season, you get a really good overall perspective on how their show operates. Podcasts can work better than synced commentaries because the conversation can flow naturally instead of, "What should I say about this scene here... well, I think it was cold that day..."Andy Rosenoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-81962673775862301592018-04-23T12:45:39.705-07:002018-04-23T12:45:39.705-07:00One of the worst commentaries was on a major film ...One of the worst commentaries was on a major film in which the director took a phone from his wife and jotting down his shopping list. <br /><br />One of the best was John Cleese on the second issue of FAWLTY TOWERS. Having such a legend comment on a classic show was like having Lucille Ball comment on I Love Lucy or Jackie Gleason comment on The Honeymooners. He spoke about the cast members, the details, was self critical, described the process, and as Mark Evanier recently mentioned on his blog, was generous in his credit to Connie Booth for her work on the show, since she is generally overlooked.<br /><br />Very often commentaries are the only reason I buy a DVD or Blu-ray since the films themselves have become so accessible by streaming. You don't even have to be watching the visuals to enjoy them, once you've seen the film or TV show. So it's like buying an audio CD. They really should sell downloads of them.Greg Ehrbarhttp://www.gregehrbar.comnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-2063257811235389102018-04-23T11:22:28.368-07:002018-04-23T11:22:28.368-07:00I listen to a lot of commentaries. Agreed, streami...I listen to a lot of commentaries. Agreed, streaming services are eating into these extras, but as against that there are now many more outlets for interviews, podcasts, etc. Slate does a weekly podcast on THE AMERICANS with people from the show that is pretty much equivalent to a commentary, for example. Agree that the best ones are those that give you insight into the decisions that had to be made. One of my favorites was the director's commentary on THE OPPOSITE OF SEX because he talked a lot about the things he felt could have been done better and why.<br /><br />Anyone involved with a highly successful show knows the studio is going to be making money off their work for a long, long time. Actors joining a new show are taking risks, too. (You take this pilot and miss out on being cast in FRIENDS...or you're young and your agent isn't paying attention, and you don't get much money at the beginning...) Why shouldn't they be paid residuals? Acting is a creative job, too.<br /><br />wgWendy M. Grossmanhttp://www.pelicancrossing.netnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-55984019799935286142018-04-23T11:12:49.182-07:002018-04-23T11:12:49.182-07:00@Dave Creek
Know this is a delayed response but h...@Dave Creek<br /><br />Know this is a delayed response but here goes. I'm definitely not eager for the production companies and networks to hold onto their money. I agree with the premise that people should be paid for work. I think where you and I differ is that I don't really consider people going into to comment on these tracks work. I usually think of them as a recorded conversation. I don't think the majority of people are prepping for these sessions or rewatching the content beforehand. As others have pointed out, most of them seem like they are done without much editing or retakes. They're showing up and giving their memories and/or insights, which is great but I doubt most of them are putting a lot of time into it. In my experience, show creators/runners, producers and/or directors are the most prepared since they have insight into various facets of the production, but actors are very hit and miss. <br /><br />Yes, everyone's time is valuable but like I stated in my previous comment, if you don't feel it is worth your time to do it, then don't. I don't want people just showing up only because they are being paid and then adding nothing to the commentary. I'd rather have people that want to be there and talk about the project. It's the same way I feel about a celebrity or musician interview where the person obviously does not want to be there. It's something they have to do so they're doing it but they are going to make sure no one enjoys it. kpjhttps://www.blogger.com/profile/02196431078278771489noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-86104865350210346802018-04-23T08:43:07.811-07:002018-04-23T08:43:07.811-07:00@Anonymous That's the problem with a lot of ol...@Anonymous That's the problem with a lot of older shows: they come from a time where home video releases were pretty much unheard of, so they really weren't thinking in terms of such special features and what have you. Older shows on DVD are <i>lucky</i> to include <i>any</i> kind of features like that. Season 1 of I DREAM OF JEANNIE has a commentary on the pilot episode by Barbara Eden, Larry Hagman, and Bill Daily. Season 2 of HOGAN'S HEROES has a blooper reel, behind-the-scenes footage shot by Bob Crane, Werner Klemperer's appearance on THE PAT SAJAK SHOW, TV promos, and an episode commentary by Robert Clary. Season 1 of BEWITCHED has a brief documentary with some of the cast and crew. Season 1 of THE ODD COUPLE has interviews and commentaries with Jack Klugman, commentaries from Garry Marshall and Jerry Belson, Tony and Jack's appearances on THE MIKE DOUGLAS SHOW, a blooper reel, and TV promos. Those are just some examples.Joseph Scarbroughhttps://www.blogger.com/profile/02572781083272335747noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-65411813194571688552018-04-23T01:01:46.678-07:002018-04-23T01:01:46.678-07:00Andy, that depends on who "they" are - s...Andy, that depends on who "they" are - some commentaries are / were recorded in one go with cast who'd never watched the episode, some were recorded with well-prepared creatives, guest experts, or moderators to assist the memory of aged actors.Kithttps://www.blogger.com/profile/11730365676866847206noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-67407158806366473022018-04-23T00:19:55.126-07:002018-04-23T00:19:55.126-07:00@Lisa: And yet Steve Bannon is still getting profi...@Lisa: And yet Steve Bannon is still getting profits from Seinfeld. What a world.<br /><br />@Mike Bloodworth: I am often astonished at how badly produced some DVD commentaries are. There are a lot of Robert Wuhl-esque tracks out there and a lot of meandering stories punctuated by sudden stretches of silence (presumably stories that were muted because Legal wouldn't clear them). There was a commentary for (I think) Arrested Development where one of the actors got caught in traffic on the way to the recording studio, so they called him on a cell phone speaker, and much of the commentary consisted of everybody laughing at themselves for how badly the track was going. Maybe Ken has some perspective on this from The Simpsons tracks... I'm sure the sessions are tightly booked, but do they make no effort at all to refresh memories or clean up screwups?Andy Rosenoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-54877109229046881922018-04-22T22:35:16.733-07:002018-04-22T22:35:16.733-07:00This column's got to be a rerun. DVD sales hav...This column's got to be a rerun. DVD sales have fallen off to the point that back catalog product is lucky to get even a barebones release, much less one with the generous bonus features and commentaries that were common a few years ago.<br /><br />I understand John H.'s frustration with the way Paramount has handled the DVD release of CHEERS. Paramount may be better with DVD releases of its new and recent shows. Their releases of older shows, though, are rarely anything other than bare-bones. The exceptions seem to be any series with STAR TREK in their titles or that star Lucille Ball. Those will be packed out with extras. Even Ball's THE LUCY SHOW made it to DVD with a ton of bonus features on each season set. Would have been nice if CHEERS had warranted even a fraction of that kind of attention.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-16434905762994673992018-04-22T18:38:04.611-07:002018-04-22T18:38:04.611-07:00Here's an extra story: when Jason Alexander, J...Here's an extra story: when Jason Alexander, Julia Louis-Dreyfus, and Michael Richards were asked to do interviews by Sony Pictures TV for a documentary for the SEINFELD boxed DVD set, they pointed out that (as per their deal) they got zero percent of the DVD sales, even though Larry David and Jerry Seinfeld did get a big chunk. After a few weeks of back-and-forth negotiation, in which Sony steadfastly refused to give them a percentage, they very reluctantly paid them $1 million each just for 3 hours of interviews. So at least they got a big bonus. I have no idea if Sony was nice enough to also send them a copy of the DVDs.Marc Wielagehttps://www.blogger.com/profile/12744270267337480861noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-81548503808663164462018-04-22T16:39:42.490-07:002018-04-22T16:39:42.490-07:00@John H Well, it doesn't help that streaming c...@John H Well, it doesn't help that streaming caters to lazy people. It's also partly because studios are becoming more and more stingy with DVD releases when it comes to bonus features (mainly to get you to buy the Bluray releases instead).Joseph Scarbroughhttps://www.blogger.com/profile/02572781083272335747noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-89348355856399279232018-04-22T16:33:22.021-07:002018-04-22T16:33:22.021-07:00I wonder if payments were what made Paramount dump...I wonder if payments were what made Paramount dump DVD commentaries from Seasons 2 & 3 of THE BRADY BUNCH. Season 1 had a few commentaries, from show creator Sherwood Schwartz and from actors Barry Williams, Chris Knight, & Susan Olsen. Barry mentioned that the 3 actors had again recorded commentaries for Seasons 2 & 3, but when the DVDs came out, they weren't included. I wonder if by dumping the already-recorded commentaries, Paramount was able to trick the actors out of payment for their work. I was angry to read about the dumped commentaries and immediately cancelled my Season 2 prepurchase on Amazon. I didn't buy all the seasons' DVD sets for many years thereafter, after their prices came down.Jonhttps://www.blogger.com/profile/00483417885845331990noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-87676962675283467422018-04-22T16:30:25.999-07:002018-04-22T16:30:25.999-07:00Commentaries give the, uh, commenter the ability t...Commentaries give the, uh, commenter the ability to praise or get even with others connected with the property, so there's that.Todd Everettnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-13888617809708461492018-04-22T16:27:41.814-07:002018-04-22T16:27:41.814-07:00@Bruce:
"As you might guess, I said no."...@Bruce:<br />"As you might guess, I said no."<br />And I would have done so, too. But the sad thing is, there's no solidarity. 80% of people cave in and take the $300.<br />(I speak with some bitterness as somebody who worked with a bunch of very talented programmers who described their job as "like building the Bridge over the River Kwai." Apparently being the Alec Guinness character doesn't help you much.)Dr Loserhttps://www.blogger.com/profile/12717234136006844887noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-79059641317861271452018-04-22T14:46:30.935-07:002018-04-22T14:46:30.935-07:00kpj: What does not being required to do something...kpj: What does not being required to do something have to do with whether you're paid or not? If they're asking you to work and you accept the assignment, you should be paid.<br /><br />Mike: Who decides who is "overpaid?" Bo matter how much anyone makes, they should receive residuals for their work, whether they're writers or actors or whatever. These are positions where your show can be cancelled in an instant and you're out of work. For some people, residuals allow them to make a living while they look for the next gig. Not every actor starred in FRIENDS. Sometimes that next great hit show actually airs four episodes and is gone.<br /><br />I'm uncertain why some people are so eager for production companies and networks to hold on to even more of the millions they make.Dave Creekhttp://www.davecreek.comnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-47494556771712038712018-04-22T13:13:27.437-07:002018-04-22T13:13:27.437-07:00I do enjoy the commentary tracks. It's the pr...I do enjoy the commentary tracks. It's the primary reason I'll buy a DVD of a movie I've seen countless times before. One thing I hate is when a studio releases a bare-bones version first and then a couple of years later re releases a version with commentaries and other bonus features. An obvious attempt to trick you into buying TWO DVDs instead of one. I agree that some commentaries are a waste of time. Either they're so esoteric that they border on pretentious. Or They sound like you're watching "Mystery Science Theater 3000." The best commentaries are when you learn something about how the movies are made. i.e. when you get some insight into the thought process of why the director, actors, writers, etc., chose to do what they did. I for one would love to hear Ken's commentary on VOLUNTEERS. Although that would mean having to buy a second DVD. Damn greedy studios!!<br />M.B.<br />P.S. One of the absolute worst commentaries I've ever heard was Robert Wuhl's for an episode of POLICE SQUAD he had written. Throughout, most of what he said was, "I don't remember that." I hope he DID NOT get paid for that.Mike Bloodworthhttps://www.blogger.com/profile/04755626259169126800noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-60711642044306837482018-04-22T13:03:59.158-07:002018-04-22T13:03:59.158-07:00In this blog as well as the videos referenced by s...In this blog as well as the videos referenced by some... it is shown as writers doing the work for nothing and being cheated. A writer sympathetic view.<br /><br />But I found a case where the writer is doing the commentary for free and also EXPECTS others to do it for free. Read the last para from this article:<br />https://www.nytimes.com/2003/12/23/arts/three-stars-of-seinfeld-boycott-a-dvd-deal.html<br /><br />The writer is pissed that the cast members are asking for some money. He himself seems to be happy of being part of this "greatest show" and he expects others to be grateful for also being a part of it and do the commentary for free.<br /><br />Nathannoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-22726036764954073122018-04-22T13:03:46.263-07:002018-04-22T13:03:46.263-07:00Earl B:
Curious: might this be just an American t...Earl B:<br /><br />Curious: might this be just an American thing? The British producers of classic-era Doctor Who DVDs once mentioned that commentaries (which often included writers) were by far the most expensive extras they produced, because everyone had to be paid.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-43026507859638505392018-04-22T12:47:47.430-07:002018-04-22T12:47:47.430-07:00Andy Rose,
Yes I too wanted point that out. But m...Andy Rose,<br /><br />Yes I too wanted point that out. But mainly from Michael Richards perspective. He was told that nothing will be paid for his commentary. He agreed. But Jason was the one who got the 3 together and fought for a share. They got it finally. Larry and Jerry hated that naturally.<br /><br /><br />https://www.theglobeandmail.com/arts/pact-brings-peace-to-the-seinfeld-cast/article4087758/<br /><br />http://www.vulture.com/2014/06/breaking-down-the-seinfeld-economy.html<br /><br />Lisanoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-59589385374080201602018-04-22T12:38:26.000-07:002018-04-22T12:38:26.000-07:00I'm a math professor. This week, a commercial ...I'm a math professor. This week, a commercial publisher asked me if I was interested in evaluating a 660 page undergraduate textbook and writing a report on it. Their compensation offer: $300 worth of their books! These days, most new academic books are available in e-form from the library, and of course, you have to pay income tax as if it were $300 in cash. As you might guess, I said no. brucehttps://www.blogger.com/profile/04867539918269604287noreply@blogger.comtag:blogger.com,1999:blog-19336675.post-40485255918955457632018-04-22T11:10:05.348-07:002018-04-22T11:10:05.348-07:00When they were putting together the complete Seinf...When they were putting together the complete Seinfeld on DVD, they were very eager to have extensive bonus features, including interviews with the cast about every episode. Jason Alexander initially declined because he had always been annoyed that Jerry and Castle Rock would not give the cast a piece of the show’s back end. He refused to be part of the DVDs for any fee; he would only do it for profit-sharing. Evidently he got what he wanted, because he’s all over the DVDs.Andy Rosenoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-82354856116850764342018-04-22T10:58:42.367-07:002018-04-22T10:58:42.367-07:00Payment related issues are never ending. Writers a...Payment related issues are never ending. Writers are shafted always. But sometimes writers don't like to see actors being paid "too much".<br /><br />Marta Kauffman hated when they paid all the actors of "Friends" 1 mil per episode. Not that her bank balance got dented, but she just hated someone else than her, being compensated well.<br /><br />I am with her though - actors are overpaid. <br /><br />And I also believe that, they should not get any residuals too. Writers wrote/created, so its their stuff and its ok for them to get residuals. For actors one time payment is enough. Why the residuals?<br /><br />Mikenoreply@blogger.comtag:blogger.com,1999:blog-19336675.post-75696679624471776012018-04-22T10:02:37.336-07:002018-04-22T10:02:37.336-07:00Unfortunately physical media is losing out to stre...Unfortunately physical media is losing out to streaming, thus the demand for commentaries and interviews are waning. I've ranted on here before as a Cheers enthusiast and blu-ray collector that Paramount doesn't care about the series. The first few seasons sold well on DVD, the middle seasons didn't. It took several years for them to even release seasons 9 through 11. The DVD's are missing footage and music for various reasons. The extras were poor as well (where was the 1983 Super Bowl spot?). All things considered, Paramount is more concerned with the next Transformers film instead of preserving Cheers and other classic programming (they way they were initially broadcasted) so they can be enjoyed for generations to come.John Hnoreply@blogger.com