How'd you like to go to work here everyday?

Of the many movie lots I was fortunate to work at, 20th Century Fox was probably my favorite.

Especially during MASH.

Back then I drove into the studio past the New York street built for HELLO DOLLY. Today there are office buildings. Goodbye Dolly. I drove past the MASH stage (9) – actually I raced past the MASH stage so I wouldn’t be stopped by an actor who had a script question. My parking space was in the old western town square used for BUTCH CASSIDY AND THE SUNDANCE KID. I was mere steps from the whorehouse.

Our office was in “the Old Writers Building”. And that was before I was one. It was a two story Swiss chalet, featured in BABES IN TOYLAND and any other film that had elves. Supposedly, our office on the second floor once belonged to F. Scott Fitzgerald. Zelda’s empty gin bottles were still behind the couch so it must be true.

There was always filming going on. CHARLIE’S ANGELS were there every other week. I guess the angels broke up a lot Swiss drug rings. But I’d walk out of the building and there would be Jackie Smith in a tight jump suit pointing a gun at me. This is why I wanted to be a writer, by the way.

The Old Writers Building still exists but western town is a memory, replaced by trailers. Jackie Smith can still get into that jumpsuit so that’s pretty cool.

The commissary was in the PEYTON PLACE town square. Remember the white gazebo? That was still there. Not anymore. Replaced by a massive parking structure.

What is now Century City used to just be part of the 20th Century Fox lot. But they lost so much money on CLEOPATRA that they had to sell some of it off. But in the late 70s a good portion still remained. There was a private bridge over Olympic Blvd that led to a back lot where a ton of scenery was stored. My partner and I would walk to Century City for lunch past several of the original STAR WARS sets.

Today the bridge is gone as is the back lot. There is a large office building and a parking structure. (“Pave paradise, and put up a parking lot”) The STAR WAR sets are in the Smithsonian or some prop guy’s den. They would have been in my den if I were smart back then.

A trip to the prop building was like a day in the greatest Hollywood museum ever. Priceless props were just collecting dust. Yul Brynner’s belt buckle from THE KING AND I was even there! Why didn’t I steal that too?! I am such an idiot!

Every afternoon we could watch dailies. The screening room was right behind Commissioner Gordon’s office from the TV version of BATMAN. Remember how the Batmobile would park right in front of the building and Batman and Robin would bound up the stairs? On the other side of the façade was probably the producers watching the Julie Newmar in her cat suit from the day before.

And all of this was before even going on our set and watching them film scenes that are still being shown today.

It was a golden time that I cherish now and happy to say, recognized and appreciated at the time. Dream factories were more dreams and less factories. When I have occasion to drive onto the lot today I usually pass by the former site of the old western town and think of that great exchange in BUTCH CASSIDY.

BUTCH: What happened to the old bank? It was beautiful.
GUARD: People kept robbing it.
BUTCH: Small price to pay for beauty.