Comics

When I was six I could draw Popeye. The only time I was popular in my entire sixteen-year school career was in the first grade because I would draw Popeye on paper towels for everybody. Unfortunately, by high school that no longer worked. Still, cartooning became a big hobby. By the time I was ten I was drawing entire comic books. Forget that nobody read them. (It’s kinda like when I started this blog.)

When I became a teenager I thought seriously about cartooning as a profession. The idea of having my own comic strip was very intoxicating. I’d seen articles about Charles Shulz (creator of PEANUTS) and it seemed like a great life. You have this nice art studio at home with large picture windows looking out at lush gardens or the beach or the Alps (depending on which side of the house your office was situated). You send in your panels to a big syndicate and voila, your comic strip appears in 300 newspapers. You’re right there with HI & LOIS and LITTLE LULU. Hollywood eventually comes calling, an animated Christmas special follows, a series, and then the Holy Grail – action figures!

But, I thought, there’s a problem. I would have to come up with seven jokes. Every week. Like clockwork. Who could possibly perform under that kind of unimaginable pressure?

Later I became a Top 40 disc jockey where I had to come up with a new joke every three minutes for four hours, six days a week. For way less than the artist of BLONDIE makes.

From there I gravitated towards sitcom writing. Here I was expected to come up with thirty or forty jokes a day for ten months.

Recently I picked up the comic section of a major newspaper. It had been years since I scanned the funny pages. Without naming names, I was shocked by how bad they were, how painfully unfunny they were. And these are the current cream of the crop? Getting a national syndicate to pick up your comic strip is like winning the lottery only with worse odds. So you’d expect each strip would kick ass.

I read THE NEW YORKER every week and their one-panel cartoons are always funny and sharp. Their batting average is probably .900. But that’s what you’d expect. THE NEW YORKER has the pick of cartoonists. Why doesn’t the same high standard apply to the comic strip world?

Or is it me? Or is the level of humor designed strictly for kids? There are a few exceptions but for the most part I was disappointed.

And then it occurred to me, back when I was such a fan of comic strips were they any better? Was BEETLE BAILEY really funny? I thought THE PATTY DUKE SHOW was hilarious back then, too.

What do you think about comic strips? Do you have a favorite? Has the quality of a favorite gone downhill over time? Is it lame comic strips and not the internet that is killing the newspaper industry?

Comic books were different. I favored the action hero genre – Supergirl, Wonder Woman, Isis (you know – the classics). They didn’t have to be funny. I had MAD magazine for that (although there's a rumor that MAD is folding.  That would be tragic.) 

But it seems to me daily comic strips could be better. Underground comics are. I know what you’re thinking – then why don’t I submit a comic strip? Are you kidding? That’s seven jokes a week.