The pilot process -- where everything currently stands

This is nervous time for pilot producers/creators/agents/actors – pretty much anyone associated with the many pilots currently under consideration for a fall or midseason network pick up.

Decisions will be made as soon as next week and production teams are scrambling to assemble and ready their pilots for presentation.

It’s also the time when rumors are flying left and right – which show is hot, which show is dead, which dead show is suddenly hot again? Industry websites are buzzing with speculation.

The big X-Factor, of course, is testing. Studios now pre-test their pilots in anticipation of the networks audience testing. Those test results completely shuffle the deck.

There are also existing shows currently on the bubble. Some have gotten tryouts in different time slots to see if their fortunes improve. Others simply wait to see how well the pilots test. If your network has a strong slate of pilots you’re probably dead. If the development season is a flop you might get a reprieve.

Add to the mix commitments, network needs, how many holes in the schedule need to be filled, compatible shows to fill an hour, pressure to increase diversity, ownership of shows, and license fee costs and you get a pretty good idea of the craziness that lies ahead for those with a dog in this race.

And as super-agent Bob Broder once said, “Everything turns to shit over Mississippi” – meaning show that the network loved while screening in LA often lose their luster once the test results are in as they fly to New York for the final decisions.

Best of luck to all the contenders. And I always leave you with my quote for the Upfronts process. “The winners go to work and the losers go to Hawaii.”

Aloha.