What it's like to win an Emmy

A reader asked for some Emmy stories. Here's what happened when I was fortunate enough to win one. And it puts winning in perspective.

You're in the audience suffering through the show. Finally it's your category. You wake up. The envelope is ripped open, your name is read, you can’t believe it, and you race up to the stage. You stand at the podium.

What’s going through your mind at a monumental moment like this? For me, honestly, I thought of all the assholes I went through basic training with in the army who thought I was such a fuck up. I was hoping they were watching and having heart attacks from shock. I was also aware that everyone in the audience was glaring at me. I saw the red light of the camera, knew that yes, this was my one big moment on national television. But I also knew that if I didn’t get the hell off quick – I mean REAL quick -- millions of people I didn’t know were going to hate my guts.

So I rushed through my prepared speech, thanked my wife, son, and I think Drill Sgt. Miller then was led off.

Backstage, we took photos with your presenters. In our case, Arthur & Kathryn Murray. Who knew they were even still alive? Then we were led from one interview room to the next. National TV, national radio, local press, national press, foreign press, magazines, food product surveys, I dunno. Light bulbs flashing. Questions coming from all sides. Microphones shoved in my face. And after a few minutes we’re ushered into the next room because the next winners are breathing down our necks. We were in a daze. We just went where they told us. Finally we were told to go through “that door”. We did. It closed and locked behind us.

And we found ourselves outside. In the alley. Next to the garbage dump, surrounded by buzzing flies. In our tuxedos, holding our shiny new Emmys. What the fuck?! We banged on the door to get back in. Nothing. We walked along the side of the building, trying other doors. All closed. I thought of maybe using the Emmy to jimmy one of the locks. No dice. It took us fifteen minutes to finally get back into the hall.

Which more than matched the fifteen minutes of fame.

TOMORROW: My review of the last SOPRANOS and the TONY AWARDS.

Working with Tony Randall

Glad to see there was such a positive reaction to THE ODD COUPLE. My first staff job was on THE TONY RANDALL SHOW, done for ABC in 1976. In that show he played a judge in Philadelphia. It was produced by MTM and we had quite a writing staff. The creators/showrunners were Tom Patchett & Jay Tarses (who had run the brilliant BOB NEWHART SHOW), Gary David Goldberg (created FAMILY TIES and BROOKLYN BRIDGE), Hugh Wilson (created WKRP and had a long feature directing career), and me and my partner, David Isaacs were the two young schleppers. That was it. No consultants. Just the six of us.

David and I were originally signed to write a freelance episode and from that we got invited to join the staff. Production was well underway when we came aboard. At our first table read Tony stood up with an announcement. He had just been to England during a hiatus and informed us that the British sitcoms were so far superior to ours. There was no contest. American sitcoms were shit. Then he sat back down and we had the reading of the decidedly American script David and I had just written. I thought our staff career was going to last one day.

But happily he liked the script… and us. At the time I was single, bringing dates to filmings (hoping that might help me get lucky) and after the show I would always introduce them to Tony. He would praise me to the heavens, how they couldn’t do the show without me, etc. All total bullshit but the girls were impressed. Say what you will about Tony Randall, he was the best Wing Man I’ve ever had.

He was also the consummate professional. Not only did he know all of his lines, he knew everyone else’s too. And he rarely went up on a line during filmings. When he did he would turn to the audience and quip, “Well at least I didn’t say ‘shit’.” And that would send them into hysterics.

He never ad libbed during our show but I too heard the stories that on THE ODD COUPLE he and Jack would sometimes be given scenes to improvise. I believe it. Tony was that gifted.

I loved working with Tony Randall. Of course it helped that he thought I was funny and that I didn’t smoke.

The ODD COUPLE DVD

The first season of THE ODD COUPLE is now out on DVD. Included is a bonus track from series creators Garry Marshall & Jerry Belson. Jerry passed away recently and it was good to hear his voice again. In typical Belson style, he talked about wanting to do a joke where Oscar found a framed picture of Hitler with Felix. Hitler was thanking him for getting the German command so clean. Needless to say it never got in. We learn on the track that this ia a joke that Marshall-Belson had wanted to do as far back as THE DICK VAN DYKE SHOW, where Laura would discover a framed photo of Hitler with Rob. Can you imagine the "Ohhh Robbbb!!" from THAT scene??

I always loved THE ODD COUPLE but especially after the first season. Year one was done single camera, and all subsequent seasons were multi-camera in front of a live audience. The shows got funnier and the actors’ performances got brighter playing off a live crowd. Like Belson says on the track, "with a live audience you have to really make sure the joke is funny. With single-camera there were times you'd say 'yeah, that's fine' but you knew it wasn't."

In the debate between single camera (the current rage) vs. multi-camera there have been a few instances where a sitcom has switched from one to the other. And although multi-camera is soooo passé today, when you take the Pepsi Challenge, the multi-camera shows do tend to be the preferred choice.

I’m just saying.

A few years after THE ODD COUPLE was cancelled ABC reprised the series with Ron Glass and Demond Wilson, using some of the same scripts -- prompting a noted comedy writer to say, "If that's what they're doing, why don't they save money and just show the negatives?"

TOMORROW: Working with Tony Randall.

Staffing season

Now that the networks have announced their fall schedules and have done their dog and pony shows for disinterested advertisers who are only at the upfronts announcements for the booze and to ogle Lena Headey, star of THE SARAH CONNOR CHRONICLES (hence the sad excuse for the picture).

IT’S STAFFING SEASON!!!!

When a showrunner hears from the network that his pilot is not being picked up, his typical reaction is “Oh shit!” If he hears that it is getting a pick up, his reaction is also “Oh shit!” Because now he has to make the show. First order of business is putting together a staff and crew. Showrunners will get calls from agents they’ve never met, climbing on the phone and saying “Hey, guy, how was your weekend?” Like they give a shit how your weekend was. Submissions will be arriving by the truckload.

MAKE SURE YOUR SPEC IS ONE OF THEM.

You’ve slaved away for months. You’ve given it to people you trust and have revised and polished it. You’ve wisely taken out that ten page dream sequence and major battle scene. Now you’re ready.

A couple of things to remember: Readers WANT to like your script. You may only get five or six pages to grab them but they’re desperately looking for the next great writer. Even if there are 500 scripts in the pile, if yours is good it’s going to be recognized. So make sure it’s in that pile.

If you have ANY connections, now is the time to use them. Call in favors. Reconnect with your estranged father. Email your former fiancée who you caught sleeping with your estranged father if her new boyfriend is in the biz. Drop the lawsuit against her even if she’ll make a call on your behalf. So what if it’s humiliating? You’re a writer. Get used to humiliation.

If you can get an agent, even a shitty agent, get him. As long as the agent is a WGA signatory you’re in business. It doesn’t matter that he’s currently renting Philip Marlowe’s old office and his last successful client wrote for MR. PEEPERS. You can do the legwork yourself. Print a bunch of copies of your spec, get his office to stamp them, then send them out yourself.

In some cases being with a small agency can be a plus because if you’re with WMA you know your agent has bigger clients he’s going to push first. That said, if WMA will take you on, thank the Gods and take it.

Check to see if any studios will accept unsolicited scripts.

And finally, send your script to EVERY show you can. Don’t be picky. Send it to network shows, C/W, cable shows, Disney Channel shows, the Cartoon Network – anybody.

The goal is to get noticed. The goal is to impress. The goal is to get hired.

New writers will get their first break this staffing season. New writers will get discovered. Why not you??

Now get on that pile!!!

Spiderman 3 and the Ken Levine watch test

No spoiler alert necessary!

I saw SPIDERMAN 3 recently. Okay, I hated it but that’s not the point of this post. Fifteen drawn out subplots to explore the same well-worn themes. Between Spiderman swooping in to save the day and Aunt May swooping in to give Sunday school lessons (“good is better than bad, Peter”), I was crushingly bored…even during the action sequences. How many times have we now seen superheroes battle it out at night in Times Square? Buses flying, windows shattering, fireballs exploding in the streets… and all the while a crowd of people watching. Aren’t New Yorkers supposed to have street smarts? Don’t you think maybe they’d RUN FOR THEIR FUCKING LIVES?! Mothers with their cute little tykes standing in the middle of harm’s way watching 200 foot monsters throw the ESPN Fun Zone into Central Park. Apparently the citizens of Metropolis and Gotham City are equally stupid.

But I digress.

The way I rate a movie is by what time I first check my watch.

If I can go the whole movie without checking once, that’s a great movie. And if it’s a three-hour movie, then it’s a classic. Then it’s THE GODFATHER.

Let’s say the movie starts at 8:00.

If I can go until 9:00 then I’m reasonably entertained. The second act is starting to drag but that second act is every writer’s boulder up the hill.

But if I’m glancing at my wrist, it’s 9:00, and Drew Barrymore and Adam Sandler have just met then I know I’m in trouble.

If I think it’s 9:00 when I check and it’s only 8:30 then I’m really screwed. My wife has roped me into another Anthony Minghelia movie.

And if I hit that little light button and it’s 8:15, the next time I look at my watch it’ll be at 8:30 at Starbucks.

With PEARL HARBOR I didn’t get through the opening credits.

My SPIDERMAN 3 time checks: 8:30, 9:00, 9:15, 9:35, 10:00, 10:03. 10:04. 10:05. 10:15. 10:15:30, 10:15:45.

Don’t waste your time.

The Simple Life goes to camp

It’s now day three of Paris Hilton’s incarceration. She turned herself in after attending the MTV awards. How bad were the afterparties when jail was the preferred alternative? Like me, I hope you all have yellow ribbons tied to the old oak trees that must be in front of all your homes and apartments.

I wonder how this will compare to “camp”.

In case you haven’t seen it, there’s a new season of THE SIMPLE LIFE on the E! network. And if the premiere is any indication, it should be the best season ever. Since they’re now on episode two, if you missed the lid lifter, let me get you caught up.

First off, Paris and Nicole Richie finally kissed and made up. They met for lunch at a restaurant. It was like…so…weird. Paris brought a peace offering – a pair of sunglasses that made Nicole look like Spiderman. She was touched and really liked them. Paris said, “I know. I have such good taste.” Meanwhile, I kept waiting to see if Nicole was actually going to take a bite.

So with hatchets firmly buried, the stage was set for a new edition of THE SIMPLE LIFE.

This time they’re off to be “camp counselors”. The jolly camp director welcomed them and introduced two male counselors, both good looking guys. Awkward introductions then Paris put the lads at ease by asking, “Do you both have boners?” I swear, I’m not making this up.

Of course there was the obligatory scene of them being repulsed by the conditions, the skuzzy mattresses, lack of privacy, etc. I’m guessing the same scenario played out in jail Sunday night except Paris’ roommate wasn’t named Nicole, she was named Spike.

Then an old school bus pulled in depositing seven morbidly obese “campers”, no one under 350 pounds. This was a fat camp. Nicole Richie in a fat camp. You think I’m making this up but I’m not.

The surprises continue. The head of the program appears – Susan Powter. Remember her? The scary chick with the blond buzz cut who was on every informercial in the 90’s. The Tasmanian Devil of Diet. Now her hair is longer, her face is scarier, and her voice is deeper – approaching Darth Vader country. But she still has that gung ho energy that made me so nervous I wanted to eat an entire pie.

The campers have to dump all of the junk food they packed into a crate. From suitcases and duffel bags come enough cookies, chips, candy, soda, cheese whiz, and Twinkies to stock a large 7/11 or a small Costco. Susan puts the crate in a refrigerator, wraps a thick chain around it, padlocks it, and holds onto the key. Do you want to be the one to take it from her? Not me.

Nicole has a deep heart-to-heart with the campers, explaining that she doesn’t have an eating disorder. Three campers eye her hungrily. I fear for Nicole’s life by episode five.

Now comes Paris & Nicole’s first task. They have to help give the campers enemas. I SWEAR I’m not making this up! I’m not!

The campers lie on their sides and the girls have to lube and insert the tubes up uh, you-know-where. Never losing her sense of humor, Nicole is asked by one camper how big the tube is to which she replies, “the same size as your boyfriend.” We see the reaction of the campers during the application (“WHOOAAAAAAA!) and then follow them to an outhouse with walls that come up to their shoulders. A few of the campers are having trouble doing their er, business and Paris is there to encourage them, saying things like, “plop plop”. One of the guys seemed so thankful.

Reality television has officially hit an all-time low.

That night the campers were all given astronaut portions of healthy food for dinner and Susan Powter turned in, probably to hike in the dark and wrestle a coyote. The campers longed for their junk food. And responsible counselors that Nicole & Paris are, they decided to break into the refrigerator. But it wasn’t easy. It was out in a shed with that pesky padlock. Always resourceful, Paris came up with a plan. They stole the camp director’s truck, and tied the end of the chain to the trailer hitch. The thought here was to drive off and the chain would snap. Brilliant! Except…

The chain didn’t snap. The truck ripped the fridge out of the shed and dragged it bouncing and banging around the campgrounds. Whatever Fritos were inside now had to be dust. Sure enough, they made too much noise. The camp director busted them, threatening to call the police if they ever touched his truck again. Ultimately, is that what Paris is in for? She tried again to break into a refrigerator filled with Ding Dongs?

Okay, you’re now up to date. THE SIMPLE LIFE is probably on seventeen times every day. Grab a snack, and pull up a chair. It’ll help get you through those long days until Paris is free again.

I'M BACK!!!

I had been locked out of my blog for four days because robots looking for spam erroneously flagged this blog. And there was no tech support to call and no way to alert my readers. It's back now but I've got a backup site now because if this ever happens again I'm moving. So just for your files, if I disappear again for any length of time, you can reach me here.

Again, thanks for your patience.

And here's my actual post for the day:

Networks love stunt casting. Getting stars and celebrities to guest on your show…especially during sweeps does increase ratings. There have been some classic ones – Julia Roberts and Brad Pitt on FRIENDS (good chance you won’t see him on a reunion show), heavyweight boxer Sonny Liston and opera diva Marilyn Horne on THE ODD COUPLE, Madonna on WILL & GRACE, and of course Frank Sinatra on the SOUPY SALES SHOW. One of the toughest “gets” was always Johnny Carson. The King of Late Night rarely guested on sitcoms. Yet amazingly he did agree to do a CHEERS.

My partner, David Isaacs and I wrote the episode (called “Heeeeeeere’s Cliffy!”). The premise: Cliff’s ultimate goal in life was to have Johnny Carson read one of his jokes during a monologue. The man reached for the stars! Alas, his endless submissions kept getting rejected. Finally, as a goof, Norm intercepts one and turns it into an acceptance letter. Things get out of hand when Cliff flies to Burbank to be in the audience the night of his big triumph. And he brings his mother. Norm must tag along for damage control.

Norm bribes the cue card guy to include Cliff’s joke. Johnny reads it in his monologue, it bombs, Cliff stands up and corrects his delivery. He winds up in custody while mom ends up on the couch with Johnny.

Come on. It could happen!

We wrote the script, sent it to Carson, who approved it. We arranged to film it right after a TONIGHT SHOW taping. The audience was asked if they’d like to stay for an extra half hour and be on CHEERS. Nice folks that they were, they were willing to make that sacrifice.

The crew and I arrived at the studio at 3 (my partner was out of town). The TONIGHT SHOW taped from 5:30 – 6:30. I introduced myself to Mr. Carson and said I’d be happy to make any adjustments he would like. He said, no, he thought the script was great. He’d do it just as written. I almost fainted.

During the TONIGHT SHOW taping I sat in the green room and kibitzed for an hour with that night’s guest – Elizabeth Taylor. She could not have been more approachable and fun. It was almost surreal to be chatting about life with Elizabeth Taylor.

After the taping, director Jim Burrows set up our four cameras and blocked the scenes. Not only is Jimmy the best multi-camera director, he’s also the fastest. All of this rather complicated stuff was accomplished in fifteen minutes in front of the audience. Indy Pit Crews could learn a thing or two from Jim Burrows.

We had hoped to also get Ed McMahon but he wasn’t interested in sticking around (a whole half hour) so I wrote him out. Guess he had to get to that Budweiser.

Now the filming began. Four film cameras were positioned on the stage. I was standing next to one, essentially between the curtain and the band. Jimmy calls action, the band (right behind me) struck up the familiar theme and Johnny Carson steps through the curtains. He’s maybe five feet from me. He begins delivering our monologue. This was maybe a month before his final TONIGHT SHOW so I knew this was a precious experience that would never come again.

We tried to write jokes that would get solid laughs so that when Johnny got to Cliff’s it would be noticeably bad. Much to my sheer delight, our jokes worked. The King of Late Night was getting laughs doing our material. This was more surreal than Elizabeth Taylor asking me which Disneyland ride was my favorite.

The scene played great. We shot it a couple of times. And Johnny was the ultimate professional. Happy to do re-takes, whatever we needed. So often legends and idols disappoint if and when you actually meet them but the reverse was true here. I wound more even more in awe of Johnny Carson.

After we wrapped I got a picture sitting at Johnny’s desk interviewing John Ratzenberger.

Woody Allen made a movie called ZELIG where he played a normal guy who somehow managed to mingle with every important figure of his day.

Well, Zelig had nothing on me, certainly that night – a night that will live in my memory forever…and hopefully in reruns.

Hey-ohhhh!

June gloom

I just can’t seem to get into BINGO NIGHT IN AMERICA. Why is that? Maybe because I’m NOT 90 YEARS OLD!!! Is there any game more closely associated with assisted living facilities than Bingo? What demo was ABC hoping for? Maybe if they put the show on at 4 in the afternoon it would do better.

Meanwhile, Spielberg’s I-want-to-cash-in-on-that-TV-gravy-train-too entry, ON THE LOT finished fifth Monday night. On Tuesday if finished behind THE GEORGE LOPEZ SHOW, grounds for immediate cancellation. Instead of THE LOT, Spielberg should have done SAVING PRIVATE RYAN: THE SERIES where teams set out against faux Nazis to rescue Private Ryan and one team gets killed off every week.

And just to show that truth is stranger than fiction: there will be a Dutch reality show in which a terminal patient will choose which contestant will receive her kidney. We have long since passed NETWORK.

Now that it’s summer we’re in for a flood of cheesy reality shows. I miss the one from a couple of years ago where they trotted out old 80’s acts like Wang Chung and Vanilla Ice to perform their big hits again. Then they were asked to sing current songs and that was really a riot. And the Coolio look alas, has not stood the test of time.

Attention Los Angeles – there’s a little event called THE STANLEY CUP PLAYOFFS happening in your area. I know it’s not Stu Nahan getting a star on the Hollywood Walk of Fame but it is kinda sorta a big deal – the World Series of hockey and all. Not that you care LA but if it were in Montreal they would be going nuts.

I’m officially declaring this blog a “No Lindsay Lohan” free zone. Mine and a “Cushitic Slang” site are the only two blogs on the entire internet that can make that claim.

JERSEY BOYS opens in LA. Best musical I've seen in years. And the night I saw it on Broadway the understudy playing Frankie Valli was on and it was STILL sensational. Also, the performance I saw a character mentions Rikers Island prison and twenty people applauded. The Tony it won was for Soprano.

Roger Clemens tentatively re-debuts for the Yankees Monday night against the White Sox as U.S. Cellular ATT&T/Cingular/Sprint/T-Mobil Park. The Yankees are buried in the AL East, Clemens is a five inning pitcher at best, the bullpen is atrocious, and it cost $17 million for his four months of service. The Yankees are the new Knicks.

And now Alex Rodriquez lives up to his "a rod' nickname by being caught in a Toronto hotel room with a stripper.

The most overpaid player in baseball is not a Yankee but an Oakland A. Jason Kendall. $13.43 million. He’s hitting .182 with two extra-base hits in 165 at bats.

F-TROOP season 2 is now out on DVD!!!! As is EATING OUT 2: SLOPPY SECONDS!!!!

Saw Robert Duvall in a restaurant last night. I admit it, I was blown away. ROBERT DUVALL! And then later at the same place -- Don Rickles.

When Jeff Zucker took over NBC programming they were the number one network. Now they’re hopelessly buried in fourth and he’s the CEO of the entire GE monolith. And I still understand that before Elisabeth Hasselbeck being allowed to speak on national television. On SURVIVOR when all her tribe members were trying to make fire she was still trying to understand the concept of fire.

I'm looking forward to seeing KNOCKED UP this weekend.

Ed Harris will be performing a one-man play written and directed by Neil LaBute locally this weekend. LaBute is known for his biting and arguably misogynistic viewpoint. The play will be a benefit for the Archer School for Girls.

No, I am not related to Adam Levine. But I first saw him perform in a Brentwood High talent show (he and my son went to school together). Adam was good but not as good as the 10th grade girl who could blow bubbles into different shapes. I thought she was going to have the big career.

How’s this for a soap opera: THE LOS ANGELES LAKERS. The star (who was once tried on rape charges) wants out. The owner arrested on a DUI. The owner’s daughter is shacking up with the coach. And Jack Nicholson guests in every episode.

Have a great weekend.

Why network ratings are down this year

The current TV season is over and viewership is down, even for hit shows. Needless to say the networks are concerned. A lot of theories have been bandied about as to why – long hiatuses, reruns, DVR’s, lack of quality shows. In an attempt to really get to the bottom of this I spoke to several network executives who spoke candidly but would not give their names, either to me or to each other.

They only agreed on one thing: the problem wasn’t the programming itself. Every show they put on the air was good. Their testing proves it. They concede that sometimes it’s hard for audiences to immediately connect with a show. For instance, not many people it seems are familiar with the concept of BINGO and might need a couple of viewings to pick it up. But once they do, wow, are they in for a wild ride!

These however, are the factors that have resulted in diminished ratings:

SUNSPOTS – Dark spots, some as large as 50,000 miles in diameter, move across the surface of the sun, contracting and expanding as they go. When they expand they tend to cause interference that effects reception, specifically during comedies.

McANGUS BURGERS – Consumers are spending more time in Mickey D’s enjoying this new sensation. As a result they’ve gotten out of the habit watching prime time television earlier. Networks are confident there will be enough blocked arteries to eventually reverse this trend.

NO WINTER OLYMPICS – Viewers flocked to this special event. Networks are concerned it’s only in the winter and only every four years. To rectify, they are considering THE FALL OLYMPICS for November and the SPRING OLYMPICS for May, and staging them annually. A February WORLD SERIES is also on the drawing board. Major League Baseball just has to be convinced it’s better to play the WORLD SERIES before the season. But knowing MLB, if you pay the owners enough they’ll agree to it.

CARS – It has always bothered the networks that viewers are distracted by having to watch the road. They are getting automakers to install more TV’s in cars and developing shows disguised as GPS systems.

TIVO – Viewers program their own “Wish Lists” and networks are realizing “George Lopez”, “Forced Single Camera Comedies”, “Katie Couric”, “Behind the Scenes at SNL”, “Complicated new dramas starring Kim Raver”, and “British Import Game Shows” are not on them.

JANET JACKSON – Her wardrobe malfunction at the Superbowl means Evagaline Lily and Elizabeth Vargas have to keep their clothes on.

YOUTUBE – Networks have discovered that viewers like their programs in two to five minute bytes. Trying to make that work to their advantage they’re experimenting with five minute shows coupled with 25 minutes of commercials and promos to fill a half hour. “Thinking outside the box” is how they’re putting it.

TIME WARNER CABLE – It’s down as often as it’s up.

EMMY CONSIDERATION DVD’s – Academy members would rather watch DVD’s of their favorite shows than the shows themselves. When reminded that Television Academy Members comprise only .000000000001% of the American public, networks are quick point out they’re the most important viewers.

PEOPLE HAVE LIVES – This threw the networks big time. They were shocked that viewers did not have seven-week attention spans and would focus on something else besides HEROES or JERICHO if they were on hiatus for two months.

And finally, the chief cause of viewer defection:

BLOGS – Viewers would rather come to blogs like this one and read about television than watch it. And unlike the networks, I can show THIS!

Previously on 24

Okay, I know I'm a tad late but I was out of town and didn't get to the finale till just now. Vacations are a bitch!

I’ve seen every minute of every hour of every day of 24. I cheered when Kim was kidnapped for the ninth time. I wept when Edgar died (well, not wept but did feel sad for twelve seconds). I was shocked when they killed Jack’s wife. Angry when they didn’t kill Audrey. And now that this year’s day is over I think I can say with total assurance that it sucked. It was especially disappointing coming off of last season which was arguably its best.

Among Jack Bauer’s many death defying stunts you can now add jumping the shark.

For my money the season got off to a bad start when they nuked Valencia. Forget that Magic Mountain would be closed for the next 99 1/2 years, an event that cataclysmic was so jarring that the show stopped being escapist fun. And the reality is, were a nuclear bomb to explode in a populated area it would kill far more than 12,000 and cause the rest of the population to shit in their pants. There would be mass hysteria, a giant exodus out of LA, emergency and disaster units sent to the scene, and the President of the United States might not just move on to other things in an hour. It’s stretching believability to think Jack can get from downtown to the Mojave Desert in eleven minutes but this event was too big to just let slide on creative license.

As was accepting that the evil mastermind behind everything this year was Jack’s father. How convenient was that? Are we going to learn next year that his mom was Golda Meir?

Producers tried to delve into the characters’ personal lives and it didn’t work. Yeah, I guess Jack has father issues if daddy’s a Bond villain. Will Chloe have a reconciliation with her ex-husband? Since it was fairly impossible to understand what her ex, Morris was saying half the time anyway I have no idea. I’m not sure she does either.

Whenever they add a new woman character to the show that is hot you can bet she’ll be tortured. The minute I first saw Nadia (Marisol Nichols -- pictured right) I thought, round up the rednecks and drunk frat boys, there’s gonna be a whuppin’! And sure enough by hour seven, she was tied to a chair, squirming and pleading.

And so the geeks in the audience wouldn't feel cheated, there was the scene where Peter MacNichol got to sit in a van and watch as the VP’s assistant had sex with a Russian spy. A lot of chat rooms were empty for that five minute period.

The 24 story line always has that feeling they’re just making it up as they go along but no more so than this year. Whatever happened to the President’s sister’s boyfriend getting beaten up? Or those suitcase nukes? Or Jean Smart? And Jack kills loyal agent and good friend Curtis? Oh well…time to move on.

Ricky Schroder was then brought in to do everything that Curtis used to do except we all LIKED Curtis. And he's the SILVER SPOONS kid. When he tried to be a bad ass I kept expecting the terrorist to send him to his room.

What exactly is Karen Hayes’ job? And how many times can one person quit, be reinstated, fired, re-hired, put into custody, and released within one day? It was like Opie & Anthony's entire career distilled down into one day.

Then CTU is invaded (again). Great impenetrable security. Anyone can just slip in by coming up through the employees lounge. Jack got to play DIE HARD in a government nerve center, one of the cast members was killed (Milo ain’t Edgar, sorry), and producers saved money by not needing outside sets or location shooting for two episodes. Next year I expect four agents to die when terrorists plant mold in CTU (but it’s the kind of killer mold that only lasts one hour so it’s business as usual after that). I was surprised, by the way, that Milo stayed dead. Considering he sustained an arm injury earlier and was able to ditch the sling in two hours, I figured he had healing powers almost as amazing as Jack’s (who was shot, knifed, bruised in the ribs but felt no ill effects).

And ultimately the world is put to the brink of World War III because Jack has to save Audrey Raines. “Check please!”

I love 24…or at least I did. I also appreciate how hard it is to keep the suspense going and find new problems to solve. So I’ll be back next season.

Hey, anyone can have a “bad day”.

But it’s time to shake up the format. Set it somewhere else. Lose the Presidential subplot. I dunno. But if I may make a suggestion as a loyal viewer who only wants to love 24 and cheer – let Jack get us out of Iraq. And bring back Jean Smart.

Hawaiian I

Back from the land where tattoos are not just a fad, reggae music fills the air, and you never see out of state plates – Hawaii.

Armed with sunscreen lotion almost confiscated at LAX, my wife Debby and I arrived at the Maui airport and sped off for the Kea Lani hotel in Wailea, passing all the sights that remind us we’re back in paradise – a Costco, Bad Ass Coffee, K-Mart, McDonalds, and a factory with two imposing black chimneys spouting smoke…or steam… or peyote. We figured this was a perfect time to go, before kids are done with school and TV executives are still stuck in affiliate meetings.

Hawaii is my favorite spot on earth. Someday I plan to live there. I know there is concern about island fever but if I ever feel too hemmed in and need to return to the mainland I can always hop a flight to Tahiti.

This was our first time at the Kea Lani (Hawaiian for “no shade”). A lovely luxury resort done in the Hawaiian tradition of Morocco. We chose not to stay in one of their private seaside villas that go for about $2500 a night (but breakfast is included… just no seconds.). A friend stayed in one and was told he was in luck. All new furniture because Charlie Sheen had just trashed the place.

Most resort hotels have return business in the teens. For the Kea Lani it’s in the 30% range. On the one hand they’re very proud, on the other – it might mean Charlie Sheen returns and doesn’t like that new rattan décor.

There are three pool areas at the Kea Lani – an adult pool, a lagoon for families (read: screaming kids), and a drunk tank. This is a pool with a swim-up bar and let me tell you, the folks wading here were smashed out of their minds. Other than diving for fallen pineapple wedges, all these swimmers do is bob and weave to stay afloat…in four feet of water. There have been so many accidents however, that every day at 4:00 the red flag is put out.

True story: A guy took at a seat at the pool bar, water up to his waist, ordered a drink, and put a paper napkin on his lap. The message here: Don’t drink and swim.

The first night we had a leisurely dinner at the hotel, under the stars, listening to the gentle sounds of the trade winds and a fire alarm siren. We sipped cocktails and remembered Pearl Harbor.

They change the carpet in the elevators three times a day. (good morning, afternoon, evening.) They change the carpets in the room once every seven years.

You know us! We biked down the Haleakala crater, rode horses in Makawao, kayaked through the coves of West Maui, hiked through a bamboo forest, surfed Kapalua, and snorkeled in a cove of sea turtles. That was the first morning. After that we did nothing!

It’s bad enough I saw this woman slathering suntan lotion on herself and baking in the bright noon day sun. But she was reading LIFE LAUGHS by Jenny McCarthy. If she gets sunstroke that renders her stupid, how will anyone know?

For two days Maui was covered in Vog – volcanic emissions from a volcano on the big island (I forget its name. It had an “l”, a “k” and sixteen “a’s”, five in a row). It blanketed all of Hawaii (except the very exclusive Four Seasons) with a slight haze/fog the locals call vog. Fortunately, from our terrace we could still see Molokai and the Ruth’s Chris Steak House in the Wailea Shopping Mall.

All of Hawaii is still in mourning over the recent passing of Don Ho. There’s even talk of renaming Honolulu International Airport, Don Ho International Airport. I’m all for it. Most cities name their airports after presidents or beloved politicians. This would be the first one named after a lounge singer.

Macadamia nuts are cheaper at Trader Joe’s in Los Angeles than at Safeway in Maui.

Stand-up Paddle Surfing is the new island craze. It’s kayaking for people with balance. Caution: Not advised for oceans that contain waves.

In honor of the LOST season finale (filmed in Hawaii) the hotel did a fun thing. They abducted some of the women guests.

Saw a guy with a big Chai tattooed to his chest. He must save a fortune in jewelry.

Every cabana boy on the entire island looks like Owen Wilson.

Condo ad spotted: “Lovely unit. Two doors down from ocean view”.

Real estate prices in Maui are through the roof. All the haoles want to move to Hawaii. Where do Hawaiians want to move to? Las Vegas. Who needs rainbows when there are nickel slots?

As you walk the beach path there is a sign that says: “Welcome to the Grand Wailea. The pool & services are for guests only.” Originally, it also included “views” but the state made them remove it.

Only in Hawaii. Two serious local news anchors reported on the U.S. death toll in Iraq while wearing Aloha shirts and leis.

I got quite a scare after downing a particularly potent but yummy Lava Flow. I glanced down and yelled, “AAAA!! I HAVE TWO KNEES ON MY RIGHT LEG!” My wife assured me it was a mosquito bite but that still didn’t stop me from frantically calling 911 and demanding to speak to Dr. House.

As usual, there was no shortage of balding, pot-bellied, cigar chomping 60 year old men with their gorgeous 30 year old nieces (usually around the pool buying jewelry even rappers would think is ridiculously marked up). Hawaii just seems to bring families together!

A synagogue in Oahu has the following website -- “Shaloha.com.” I’m guessing they’re reform. Stopping just short of having a pig with an apple in its mouth at the Purim Luau.

FOUND!! One of my favorite lost singers of the 70’s, Yvonne Elliman surfaced and performed at the Diamond Head Crater Celebration. Yvonne is just like Katharine McPhee except Hawaiian, older, sings disco, and doesn’t smile every minute. When Yvonne passes (hopefully many years from now) there’s talk of renaming the Dole Pineapple Factory after her.

The Dali Lama recently stayed at the nearby Renaissance. (You’d think he could do better.) Wouldn’t you love to be checking in and there he is going bonkers because they gave him a room by the ice machine? It would also be pretty cool to go to a Yoga class and there is the Dali Lama sitting next to you. (I thought that actually happened to me but again, it was the Lava Flow.)

I always leave Hawaii kicking and screaming but at least now I’ll be able to get my daily fix. WHODAGUY HAWAII premieres July 7th, an internet radio station hosted by broadcasting legend, Ron Jacobs. I just know I’ll be transported – to the sandy beaches, the exotic rain forests, and when Ron spins a classic Don Ho hit -- the airport.

Shaloha!

Memorial Day then staff work begins

Happy Memorial Day. This is the time of the year when writing staffs go back to work. If you’re an aspiring TV scribe, I hope someday that’ll be you. Here’s what you can sort of expect…at least on the comedy side.

The first week will just be sharing vacation stories, home remodeling nightmares, and trashing reality shows. You’ll go out for long lunches, bitch about how much other writers make, compare Prius prices, convince non-Mac using colleagues to finally wise up and get a Mac, and discuss the upcoming summer movie slate. My blog might come up. Half will like it, half will think it’s a piece of shit.

You’ll mosey back to the office, maybe talk in very general terms about the season ahead, some scattershot thoughts on characters and stories, then go home at 4.

Week two you’ll come in and the show runner will panic. He’ll realize you’re now hopelessly behind. From there you get to work, really delving into the characters, spitballing story areas, eventually breaking stories. You still go home at 4 but at least you’re getting something done.

Over the next few weeks the stories will be outlined, assigned, written, turned in, and rewritten by the staff. You start having lunch brought in, going home at 6…and then 7… and then 9. By the time you go into production in August you might have four scripts ready to go with a few others in the pipeline. And hopefully you’ll have seen every summer movie you wanted to see, made your vacation plans for next year, bought that Mac, remodeled that kitchen, fulfilled every dinner obligation, read all those books on your nightstand, caught up on my archives, and took pictures of sunsets so you’ll remember what they look like…because now the real fun begins.

The actors come in rested and the first day of production you’re ready to kill them. And so it begins.

Your first real break comes when you can say "Happy Thanksgiving".

Next up: My Hawaii travelogue. Aloha

Kevin Reilly OUT at NBC

Less than two months after being given a new contract, Kevin Reilly is out at NBC according to Deadline Hollywood. When it was first reported, Reilly apparently knew nothing about it. Nice.

He's being replaced by red hot producer (The Office, Ugly Betty), Ben Silverman.

Time to get out my pilot that Reilly rejected.

Bring back ALMOST PERFECT

A reader asked whether write-in campaigns to keep your favorite show on the air has any impact. The answer is definitely YES. But here’s the key – the show must be a critics’ darling. No ratings and no buzz mean no renewal. So you have a much better chance of keeping FRIDAY NIGHT LIGHTS on the air than you do mounting a big campaign to keep BINGO NIGHT IN AMERICA on the ABC schedule.

Networks need a reason to justify keeping a struggling show on the air. There’s the “shit, we got nothing better!” reason but that’s usually just a stay of execution. A new show that is heralded by critics, gets lot of coverage, even some award nominations – those have a legitimate chance. And networks can always point to CHEERS and HILL STREET BLUES and a few others that started slow but eventually became big hits.

When we did ALMOST PERFECT and were on the bubble we personally contacted all the TV critics who were fans of the show and asked if they’d do follow-up pieces. Most were happy to oblige and it did help.

Now there’s also the internet. Fans have more forums to plead their case. Websites and blogs and chat rooms dedicated to your favorite struggling show can generate buzz as well. I think it’s too late for ALMOST PERFECT however, despite my webmaster’s insistence that it could still work and for only $1500 he could make up a spiffy website.

Staging actual protests at the network might work if you get some local news coverage but if you don’t come in with BIG numbers you look like just a few cranks and that tends to hurt your case. And if you’re arrested, well…that doesn’t help either.

My only other suggestion is to convince the producers to add LAW & ORDER to the title.

Good luck, and if anyone wants to mount that ALMOST PERFECT campaign I say don’t wait. Let’s get it back on the air NOW while anyone at the networks even remembers it.

What night to film?

Thanks so much to everyone for responding to yesterday's post. If I had your email addresses I'd thank each one of you individually. In any event, I'll try to keep the good stuff coming.

I feel a little bad about taking a shot at the Kelsey Grammer/Patty Heaton promo on the AMERICAN IDOL FINALE because (a) I like and admire everyone associated with that project, and (b) that show may be the last hope for multi-camera sitcoms as we know it. Network promo departments are like the relief pitcher that comes in and gives up seven runs. So here's hoping the show is terrific.

While I'm on that subject...

Multi-camera shows that film before live studio audiences generally shoot on Tuesday or Friday nights. That way two shows can share one camera crew (back in the day when there were that many shows). I’ve been asked which of those nights I prefer and why? My answer is Tuesday and it stems from my first foray into playwriting.

A hundred and ten years ago my writing partner, David and I wrote an evening of one-act plays. It was more of an exercise really. We did four one acts in four different comic styles. The small theatre scene in LA was booming at that time. Melrose Ave. had ten or fifteen 99 seat theatres, one more charming than the next. To get to OUR theatre you continued east on Melrose until you heard gunfire then you turned right. Once you got to the first building that wasn’t on fire you turned into the lot and you were there. The 5th Street Studio theatre on 5th and Western over a pizza parlour. We were practically on Broadway.

Our shows ran Friday and Saturday nights for a month. We wanted to close before the summer and any riots. Amazingly, we had good crowds. (These are the same people you see on FEAR FACTOR.) On the first Friday night things were going great. Each act worked. Lots of laughs. The finale was an all out farce – people running in and out of doors, hellzapoppin’. It was 45 minutes long. For the first half hour the audience roared and then suddenly…they just stopped laughing. We couldn’t believe it. The last fifteen minutes (the big wild finale) was greeted with stone silence.

David and I were so thrown we didn’t know what to change. So we decided to just leave it, watch carefully the next night and see just where the play goes off the track.

On Saturday we had another good house. (Must’ve been a GREEN BERET convention in town.) The farce started, the laughs started, we braced ourselves…but this time they didn’t stop laughing. All the way through. In fact the laughs were bigger at the end.

Tremendously relieved, we concluded we just had a bad crowd the previous night (all of their cars had been broken into and they were bummed) and left the script alone.

But the next Friday night the same thing happened as the previous Friday. At the half hour mark the laughs stopped. But on Saturday night they were there wire to wire. And this pattern continued throughout the run.

What it taught us was that Friday night audiences are tired. It’s been a long week, they’ve just come from work and at a certain point they’re just pooped. Saturday crowds had a day to relax.

Since then we’ve always shot our shows on Tuesday nights. It’s the middle of the week, it gives people something to look forward to, and most importantly, they have more energy.

I’d feel bad for those four Friday night audiences but hey, they got home alive. You can’t ask much more from theatre in Los Angeles than that.

My 600th post

Haven’t done this in awhile but it’s kind of fun. This is my 600th post since starting this folly a year and a half ago. (I know. Big deal. That’s like McDonalds selling their 600th hamburger.) My goal is to post something every day (whether it has any redeeming value or not). So far I’ve been able to manage that without having to resort to stories about my colonoscopy.

What I’ve done a couple of times before upon reaching benchmark posts is to ask you guys to write back to me. Especially you newer folks. I’d love to know where you’re from, how you stumbled upon this nonsense, and any suggestions for topics you’d like to see in this blog, and any thoughts on the topics I have discussed. You’re welcome to criticize but only if you leave your name.

But I warn you, don’t say cut out the Goddamn travelogues. My recent Goddamn Hawaii travelogue is just around the corner.

And to show that I really do listen to what my readers have to say, I will no longer recap AMERICAN IDOL until next January, the earliest.

Part of the fun of this endeavor is that I’ve met some great people along the way. Now I’m looking to meet you.

Thanks so much for finding this site. Hopefully I’ll keep you coming back.

Ken

AMERICAN IDOL FINALE

At least this year’s AMERICAN IDOL FINALE featured music numbers and actual entertainment. Sure, there was as much suspense as watching the Yule Tide Log but at least the show wasn’t padded with scenes of Simon in the make up chair, Paula walking it off, and former contestants now turned hard news correspondents reporting from filled arenas where thousands of people with no lives assembled because one drunk yelled “tailgate party!”

IDOL is tape delayed here in Hawaii. No wonder there hasn’t been a Hawaiian finalist since season 3. The polls close two hours before they can vote. (and half of them would still be voting for Jasmine Trais while the other half would vote to repeal statehood.)

Was there ever any doubt Jordin was going to win? Especially after she and Blake both had to sing that cringeworthy “This is My Now” power ballad. I do think there’s a place for that song though. It should be playing on an endless loop in Jerry Falwell’s casket for all eternity. And Chris Richardson should record it.

Randy Jackson wore his formal majorette jacket to mark the enormity of the occasion. As William Faulkner might describe Randy: "He has never been known to use a word that might send a reader to the dictionary." Sorry, dawg, just keepin’ it real.

Meanwhile, over on the season finale of LOST, Kate is strapped naked to a big wooden wheel about to be sacrificed... but back on IDOL Blake Lewis and two beatboxers are doing mouth farts into microphones.

So she wouldn’t forget to take her used bedding to the cleaners, Gwen Stefani wrapped them in a ball and attached it to the back of her dress.

Notice how the Top 12 was used very sparingly unlike previous years? No big Top 12 production numbers that felt like the best of H.R. Puffenstuff.

Kelly Clarkson is the American Idol’s American Idol. The others are just her backup singers. I loved Carrie Underwood’s dress. She could go from the prom to bailing hay in five minutes. Poor Rubin Studdard didn’t even get a solo.

This is the first season there hasn’t been a finalist from the south. Hopefully America has learned its lesson after selecting that grey haired buffoon who has been nothing but a joke and disappointment. Same goes for Taylor Hicks.

Taylor's brown jacket was from Aunt Tillie’s couch. He sang “Give Me Some Slack”. Katharine McPhee is singing “Give Me the Title”.

Six months from now it all begins again. Predictions that the ratings will drop, stadiums filled with the great unwashed, six nights of deluded idiots with big targets on their chests all hoping to be the next Kelly Clarkson or even better, William Hung. The judges looking stunned for the ten millionth time. Great guest judges like Englebert Humperdink and Tiffany. Then Hollywood week. Kids who in a few weeks will be asked to perform live for thirty million people can’t remember the words to “Rockefeller Skank” when singing for three. Late night hissy fits when they’re put into groups of four and given the almost impossible task of preparing the first stanza of the “Shoop Shoop Song” for tomorrow. Then two nights of eliminating groups and individuals, and watching kids with bad teeth cry. And after all that (with five added “re-cap” shows) we’re left with the top 24, 15 of which can’t sing. Thank God we’ve got the summer tour (150 cities in 49 days), CD, Ryan will be on E! 24 hours a day even being featured in the E! TRUE HOLLYWOOD STORY of Kristy MacNichol, Haley will be in PLAYBOY, Antonella will be in SHAVED, and Sanjaya as the new co-host of THE VIEW to hold us over.

Meanwhile, on LOST, they’ve discovered Amelia Earhart. But back on IDOL this insane woman in a big bird dress is on stage kissing Ryan.

You voted, didn’t you? Come on. You did.

Maybe it’s because I’m in Hawaii but there’s a wooden tiki at the hotel that looks just like Smokey Robinson now. I don’t think Jack Lord had that much face work done. I loved the medley with Smokey and the six groomsmen.

Melinda Doolittle out sang LaKisha AND Gladys Knight.

No, I will not be recapping SO YOU THINK YOU CAN DANCE?

Teri Hatcher is probably firing her manager because Jerry Springer got more audience reaction shots than she did.

Checking out LOST again, a subway system is discovered under the island that leads to…but wait, back on IDOL some nimrod is trying to sing “Silent Night” to the back row without a microphone.

I was surprised Forest Whittaker wasn’t at the Kodak Theatre still giving his Oscar acceptance speech. He’d be up to Paul Robeson.

Highlight of the night for me was Tony Bennett. Fortunately, not in that yellow jacket. He’s also quite the painter. In fact, they sell his work at a gallery here in Wailea. I’m not joking – the sign out front says paintings by
TONY BENNETT
DAVID BOWIE
Picasso (yes, in smaller letters)
And others.

Speaking of “Others”, back on LOST, in addition to the “Others” a new group has emerged, the “Us Too’s”. Oh, but on IDOL a guy who looks like Tweedle Dee and Steve Buscemi’s evil twin are on stage getting an award.

This season Jewel was an audition round celebrity judge. Next year she’ll be an audition round auditioner.

I loved the African Children’s Choir. Send them out on tour and leave the Top 12 home.

Oh no! On LOST, Sawyer has somehow just given birth, but on AMERICAN IDOL, Clive Davis is droning on endlessly about God knows what – song writers and Chris Daugherty and how he discovered the Fifth Dimension – I dunno. And he’s giving Carrie Underwood some award no one has ever heard of.

Gee, I wasn’t laughing at that Kelsey Grammer/Patty Heaton promo for their new sitcom. “Your nails are so long. It’s like there’s a falcon on my wrist!” Uh oh!!! I had the same feeling watching that as I did seeing Sanjaya sing with Joe Perry. And by the way, Sanjaya, let’s just say it. You’re singing is awful and that outfit looked better on Carrie Underwood.

Bette Midler must have bronchitis or something. She was not on her game. And yet, she still managed to command the audience without a single big bird suit.

The Sgt. Pepper tribute was great but weren’t you sort of hoping that as a big surprise, Paul McCartney would appear? Chris Sligh is not the same thing. Paul’s paintings are also available at that Wailea gallery. But I’m still holding out for one of Red Skelton’s clowns.

74,000,000 votes. 60,000,000 for Jordin. 13,500,000 for Blake. And 500,000 for Jasmine.

Highlights of the year: LaKisha singing “You’re Going to Love Me”, Sanjaya getting hair tips from Diana Ross, Antonella’s internet pictures (if only the winner was determined by downloads not votes), J-Lo giving singing advice, Haley’s legs, shots of Jordin’s father playing in the NFL alongside Fantasia, $70 million raised for charity, everything about Chris Sligh but his singing, the shot of me in the audience, Gina singing “Paint It Black”, Simon’s utter SHOCK at learning there were poor people in America (Spago always seems so crowded when he’s there), Paula breaking her nose tripping over her little dog…er, Corey Clark, Elliott Yamin’s dental work, Phil Stacey on country night, Blake Lewis taking chances (good and bad), Jordin’s “I, Who Have Nothing”, and Lulu needing the “Jaws of Life” to pry her out of that dress.

Someday the phenomenon will run its course. AMERICAN IDOL will hang on one year too long. Fewer people will apply. Stadiums will be empty. Ryan will be standing outside the Altoona Hilton begging people to come in off the street and audition, eventually having to offer T-shirts. Paula will have a stroke that goes unnoticed. Guest mentors will include Gary Lewis, Harvey Feinstein, and Bucky Covington. Ryan will be showing off his new face and neck. Hollywood week will be held at the Universal 32 Cineplex, theater 31. Once they go to the much smaller Idoldome (Santa Monica City College studio D), one family and set of friends will have to double for several contestants. They’ll get killed in the ratings by FRIDAY NIGHT LIGHTS. Their charity event will be so disappointing there will need to be a cents column on the tote board. The final night will be held at Wilshire Blvd. Temple. The big moment will arrive. Ryan will say, “America has spoken, and after 45,000 votes, Apple Paltrow-Martin, you are the next American Idol!”

AMERICAN IDOL: and then there were two

Aloha, Since I prefer to spend only one night of my Hawaiian vacation in a hotel room instead of two, reviewing this final week of AMERICAN IDOL (call me crazy), I have asked a guest blogger to fill in for me for the performance show and then I will return tomorrow with a recap of the Final episode, along with overall thoughts of the season and future of the show. Since IDOL is tape delayed here in Maui I think I will be the last person in America to actually know who won. Well...me and Paula...but I have an excuse. She'll be IN the Kodak Theatre.

Reviewing Tuesday night's show is the lovely, hilarious, and completely smashed Tallulah Morehead. I just read her memoirs, LUSH LIFE and found it to be the funniest book I've read since CONFEDERACY OF DUNCES (seriously!). Check out her own website as well.

I promise you, of all the recaps of Tuesday's show NONE will be like this one.

Thank you so much, Tallulah. Your ten or fifteen husbands were lucky men. Now someone get her some coffee. A LOT of coffee. A Lake Tahoe size pot of coffee.

Talk to you tomorrow night.

Hello darlings. What a treat for all of you: clicking on By Kent Levine, and instead of finding Little Kent explaining how his concept of hell is eternity locked in a room with Teri Hatcher and Mary Tyler Moore with no baseball coverage, you find a guest column from myself, Miss Tallulah Morehead, the Nearly-Living Legend, the World’s Most Glamorous Movie Star, covering the performance show of the two-part American Idol season finale. I can’t wait for tomorrow night’s final finale, to find out whether or not Little Blake Lewis and Little Jordin Sparks can prevent Syler and Linderman from blowing up New York City before The Others can kidnap all the pregnant mothers.

You see, Little Kent is in Hawaii, and frankly darlings, when it came to a choice between a luau with beautiful hula girls in grass skirts, or sitting in his hotel room watching American Idol to share his insights with you, his loyal fans, he said “Aloha suckers!”, and headed off to the luau with a lawnmower, asking me to take a night off from my own award-eligible flog, The Morehead The Merrier, and review the American Idol broadcast for him and you. Typical! The laugh will be on him though. Don Ho is as dead as Jerry Falwell, LOST is on hiatus, Jurassic Park is closed, Jack Lord is fictional, or at least his hair is, there’s a foul-tempered secondhand smoke monster on the loose, and one of those hula girls is probably Sanjaya. Honestly darlings, there's no point to going to Hawaii at all anymore. Whenever I'm stuck there, all I do is lie in my room, watching pay-per-view gay porn on TV, enjoying a vodka martini, and typing in my laptop. Now if only I had a computer.

You know, American Idol was named for me! I was the original American Idol, back in 1915, when my debut film, Heat Crazed, was released, and America and the world fell in love with me. The whole idea was to lure in TV viewers thinking they would be seeing me, and then hope that they’d get hooked watching the no-talents at the auditions, and it worked. The combination of Ryan, Randy, Simon, and Paula, four of the strangest gay men I’ve ever married, has proven an unbeatable mix of no-talents.

As it happens, today is the 100th birthday of Lord Laurence Olivier, often called the Greatest Actor of the 20th Century, though not by me, given that he was married to that little trollop Vivien Leigh, who stole both Scarlett O’Hara and Blanche Dubois from me. (I wanted to play Scarlett O’Hara in the worst way, which was, in fact, the approach I was planning on taking.) It’s also the 80th birthday of that little Tallulah-wannabe Marilyn Monroe, an “Actress” and “Singer” of questionable ability but undeniable beauty. What more appropriate day could there be to choose the next American Idol? Will Little Blake or Little Jordin be the lucky winner who will go on to sell half as many CDs as Melinda?

There has been a tragic mix-up however. When I arrived at the Kodak Theater this evening to see the show for you, there were no tickets waiting for me, my name was not on the list, and I was asked to leave! For heaven’s sake, they let Constantine Maroulis in, but not me? I might add that Little Kent’s name opened no doors either. I guess in his rush to get his hedge-clippers to those grass skirts, he forgot to arrange for my admission. I’d already sent my driver off with my Lincoln Incontinental, so I ended up watching the broadcast on my cab driver’s cell phone during the taxi ride back to Morehead Heights. Frankly, Achmed’s phone’s sound system is none too impressive, though Little Blake’s dancing looks a lot better on a one-square-inch screen.

What a season they’ve had on AI this year, completely ass-backwards right from the start, as was made clear when born-entertainers Ian Bernard and “Eccentric” didn’t even pass the auditions. I guess Simon just feared having contestants even more full of themselves then he is. Then gorgeous Brandon Rogers was eliminated, dropping my interest down a well. (Brandon, call me. I’ll world your rocks!) Everyone was sad when Sideshow Chris Sligh, who was two of the finest singers on the show, was eliminated before Shirtless Week. Then there was Sanjaya Maladroit’s Reign of Terror. Where did he come from? It turns out, Mars.

I don’t know who was voting to keep him on the program for so long. All I know is that after he sang each week, for four hours, you could not get tech support. And if Sanjaya and Marvin were separated at birth, look whom Father of the Year Phil Stacey was separated from at death: Which one is Phil? Send your guesses to me, c/o Morehead Heights. The first 100 men with the right answer get to have sex with me, as do the losers, and the women. (I think I may have been married to one or more of those chrome-domed crooners about 70 years ago.) Of course, this season’s big shockers came when Lakisha Jones and Melinda Doolittle were voted out. What were you thinking, America? What is this popularity contest: a popularity contest? Let’s see; the sexy and mildly-talented singers are still here, while the plump girls who could sing rings around them were thrown out. It’s Dreamgirls all over again! Dust off some shelf space for your Oscar, Melinda.

Over the weekend, Little Paula Abdul, eloquence personified, broke her nose when she tripped over her Chihuahua, Tulip. Yes, she trip-toed through her Tulip. There’s no truth to the rumor that she was drunk. I’ve been drunk since the Roosevelt Administration (Teddy, not the young upstart married to the toothy lesbian.), and I’ve never tripped over a Chihuahua, although there is a malicious dust bunny lurking near my kitchen doorway that has toppled me sixty or seventy times. The upside for Paula is, a new pain medication prescription. There’s nothing like more Vicodin to really clear up slurry speech and slurrier thinking. In fact, I think I’ll have another right now, washed down with vodka.

Ryan was either severely disoriented, or his radio background hasn’t prepared him for stage work, as he opened the show facing upstage, back to the audience. Turn around, monkey boy, and face the music.

Randy Jackson must have feared the vengeance of loser finalist Phil Stacey, as he was wearing a large, bejeweled crucifix about his ample throat. The only reason for that I can imagine is warding off vampires and singing nosferatus. But it was so chi-chi, that I can only assume he borrowed it from a gay Van Helsing. It was nicely framed by Sergeant Pepper’s old Sunday suit coat.

There was a coin toss for who would go first, and Blake won. He really should have let Jordin sing first. She still needs to finish her homework. Her term paper on Luddites & The Industrial Revolution is due tomorrow and she hasn’t even started it.

Blake’s first song was Bon Jovi’s You Give Love a Bad Name. Actually, my dear old friend, horror icon Guy Thanatos, was always known as “The Man Who Gave Evil a Bad Name,” so when the Idol-wannabes aren’t copying me, they’re emulating my friends. He’d performed it before, on the night Jon Bon Jovi’s chest hair, a.k.a. God’s Floss, was the guest mentor. I guess that’s easier than learning a new song. Little Blake amusingly simulated the sound of putting a needle on a worn vinyl record to start off his performance of a song written after the last Vinyl Tree had long since been made into a record. The children young enough to think he's hot and/or "Up-to-date" must have wondered what the hell he was doing. Vinyl? Record needles? What the Hell are they? Records are small, made of plastic, and "Record Needles" are lasers. It is amusing that Blake is considered current because he’s a white boy beatboxing, something black singers gave up as overused and hackneyed 20 years ago. That said, it was kind of fun.

Paula said she wished she could give Blake “More than ten.” I think what she really wants is for Blake to give her at least ten, though I wonder if he has more than 7.

We saw the finalist losers, sitting in a pack, desperately pretending they were happy for Blake taking what they wanted. Ever seen a losing Oscar nominee at the Governor’s Ball? Exactly. (BTW, where was Sanjaya? Oh yes, dancing at Kent’s luau.)

Little Jordin’s breasts came out next - I think that was Little Jordin herself somewhere behind them - and performed a song called Fighter. When I remembered that Jordin is still just 17, or as I like to think of her, “Jailbait,” I found myself expecting that after her song, instead of Ryan coming on, Chris Hanson would walk out and say, “I’m Chris Hanson, and this is To Catch An American Idol. Mr. Cowell, I have your emails to ‘Jordin’ right here. ‘I want to watch you working hard, and then I will massage my own breasts while I dress you down. If you perform like a professional, you’ll get the big prize I have for you.’ Do you think that’s an appropriate message for a 47 year old man to send a teenage girl? Mr. Jackson, you used the screen name ‘Randy.’ Not very appropriate. ‘Yo dawg, you got it goin’ on. Just keepin’ it real.’ Now, I’m not familiar with your secret code, but calling a young girl a dog isn’t very nice. And Miss Abdul, you wrote ‘You did your thing. You’re a star. You know what I mean.’ No I don’t.” And then the entire studio audience would be led out in handcuffs.

But I gotta say, Jordin’s dad is kind of hot. I know he used to be paid to handle the pigskin. Well I have plenty of skin, and that bitch Delores Delgado always called me a pig. Mr. Sparks, call me. Blake’s dad? Not so much. He doesn’t really fit on a one-inch screen.

Love Blake’s sweaters. Who was his clothes stylist; Ozzie Nelson? But the four inches of shirt front hanging out below his sweaters suggests someone who had to button up fast after getting caught with Paula in a men’s room stall. He sang She Will Be Loved quite prettily. I had no idea he could sing.

The endless Coca-Cola product placements had their desired effect. By halfway through the show, I’d put aside my vodka, and was enjoying a rum and coke, though I asserted my independence by making mine with Pepsi.

Jordin’s second song was a country number called A Broken Wing. She wore a faux-work shirt, like real people (ew.), if real people wear theirs with diamond-studded belts. Did she win a boxing title? Randy told her “You gotta know tonight, you can blow,” so he still hadn’t learned not to make inappropriate remarks to an under-age girl. Chris Hanson was all set to run back out.

Poor Blake was hobbled for his final number by being forced to sing This Is My Now, the winner from their absolutely-nobody-cares song writing competition that was apparently going on off-screen all season. It could have been worse. He could have had to sing another Bee-Gees number. At least he got to wear a lovely argyle sweater vest also from the Ozzie Nelson Collection, while he demonstrated that ballads are not what he does best. Blake, tuck your shirts in. This is what happens when a boy is taught to dress by an obese father. During the song’s release, Blake was hopping about in a manner suggesting that he was trying not to release something liquid himself. Speaking of releases, I understand this song will be released as the winner’s first single, by which I mean, it will sell a single copy.

But then, as a month-late April Fool’s joke on the viewers, Jordin had to sing the same stupid song we’d just suffered through. I began to fear that Michael Bolton was going to slither out and sing it too. Looking lovely in the dress she’ll wear to her prom next week, I have to say, she managed to squeeze out all the juice that dreary ballad has to offer. She was actually - dare I say it? - good. I think I smell a winner, Oh, never mind. It’s my cat, Snatches. No, Snatches. Outside! Do that outside! Anyway, Jordin wowed the house. The last time I saw that many excited people, Joan Crawford was “entertaining” at a fraternity mixer with her heels in the air. Somewhere, David Hasselhoff is weeping, and frankly, I was so damp myself, I slid right onto the taxi’s floor.

Ryan asked Randy for his ”Final thoughts”. He’s years too late with that request. As for Paula, we’re all still waiting for her first thoughts.

It all ended up with last year’s third place finisher, Chris Daughtry, singing over a montage of the whole season. Good grief. Suddenly, after an hour, we are presented with a man who has some real, honest-to-God, sex appeal going on. Even wearing Divine’s old eyebrows, he was smoking. Looking back at the clips, I found myself remembering the losers, the freaks, and the night I gave Sundance Head. But they didn’t include everyone’s two favorite moments of the season, the instant when Sanjaya was eliminated, and Antonella’s nasty pictures? Good times.

That’s it darlings. Now I’m busy speed-dialing - my neighborhood liquor store. Kent will be back tomorrow, if he can tear himself away from the wahinis long enough to watch them announce Jordin’s name. Jordin will be crossing the River Jordan, and entering the promised land of stardom.

Oh Brandon, Brandon. We hardly blew ye.

My thanks to Kent for this lovely opportunity, and cheers darlings.

Robert W. Morgan

I’m often asked who were my comic heroes growing up? Aside from the usual – Nat Hiken, Joan Davis, and Pinky Lee – I’d have to put at the top of my list Robert W. Morgan. For almost thirty years Morgan ruled the morning airwaves in Los Angeles (and briefly in Chicago). He passed away nine years ago today. I still miss him. I still look at something I’ve written and wonder, “what would Robert W. think?” He was never shy in telling me. We worked together briefly in 1974 at a station called K100. (I say briefly because I was fired long before he was.) Robert W. could be a tough critic on you (if you call threatening to come down to the station and beat the shit out of me tough). But he also could inspire you to new heights if he believed you had it in you. There was no middle ground in his eyes. You had the potential to be great or you were Charlie Tuna. (Tuna -- not his real name surprisingly, was with Morgan at KHJ and tried to be funny by relentlessly reading prepared one-liners.)

Morgan himself on the air was truly amazing. Hilariously funny, wickedly subversive, a master of comic timing, and ALWAYS spontaneous. In the moment. One “morgan” (you never said “morning”, you said “morgan” – he’d really kick your ass for that) when he was on KMPC he had to do a live phone interview with Ray Malavasi, the head coach of the Rams. He asked his first question and Malavasi fell asleep. Instead of trying to wake him, and without missing a beat, Morgan just kept asking him questions and pausing while Malavasi snored.

There is a Robert W. Morgan tribute website well worth checking out containing this and many other classic bits. Comedy on the radio is a lost art. Robert W. Morgan was one of its great artists. Morgan also was blessed with a gorgeous voice. Rich, mellow, and warm (as if I wasn’t envious enough of his talent). In 1969 while at KHJ he narrated a 48 hour radio special – THE HISTORY OF ROCK N’ ROLL. This epic work painstakingly traced the roots and trends of rock music and to this day is considered a masterpiece. (back in the days when the only hits Phil Spector was known for were records)

Over the years it has been revised and redone but the original, voiced by Robert W. Morgan, only aired once and has never been heard from again.

Until today.

Bill Mouzis, the original production wizard of this project has put together a remastered, limited edition 2 CD package featuring highlights and music montages. It is a true treasure, an absolute must for any student of rock music.

And the price? Just a donation to the Robert W. Morgan Cancer Awareness Fund and The Association For The Preservation of Hawaiiana Online established by HRR Producer/Director Ron Jacobs. For details and to order, click here.

It’s a worthy cause and a chance for me to introduce many of you to one of my heroes.

Mahalo (I'm still in Hawaii. Gimme a break. This is what everyone says when they take my money.)

Tomorrow: AMERICAN IDOL with a very special guest...an almost living legend.