If Christopher Nolan re-booted MARY POPPINS

Memo:

FROM: Christopher Nolan
TO: President of Walt Disney Pictures

SUBJECT: Re-boot of MARY POPPINS

After watching the original 1964 movie once I know how we could improve this beloved children’s classic and make it relevant for today’s theatergoers.

The color scheme must be grey.  Most of the film will take place at night.  

It is still a period piece but we update it slightly. It now takes place during the bombing of London in World War II. Let’s take some creative historical license and blow up Big Ben and the Parliament building. We have the means to do that in a very cool way. To punctuate the moment cut to an Englishman saying “SuperFUCKINGcalifragilisticexpialidocious!” as a double decker bus almost decapitates him. We can still say two fucks and keep our PG-13.

Bert, the street performer, is a loner with a dark past. Dick Van Dyke was fine for his day but I see Steve Buscemi. He should always be an ominous presence. He himself was abused as a child and we must always be afraid when he is around children.

His fellow street people are all damaged due to the horrors of World War I. There might be some comedy in seeing them act silly as long as we understand it is because they are deeply traumatized.

There will be no singing, dancing, or animation in this new version. Anything to take us out of the reality of innocent people being slaughtered is counter-productive. Modern children don’t want fuzzy bedtime stories. They want to be scared shitless. Let’s do that for three hours.

Mary Poppins arrives. She too has a dark past. Sexual abuse and forced into prostitution has caused her mind to snap. Her sunny optimistic disposition is really psychotic repression. She thought she was applying for position of madame not nanny. but to avoid a savage beating from her pimp she takes the job. Julie Andrews was serviceable for the time. But now we need a warrior. Casting suggestion: Katee Sackhoff as Mary Poppins.

The kids take to her right away. She still has the magic bag filled with wonders that they’ve never seen. But those wonders are dildos and handcuff and cock rings. The kids play with them. We get our heart, our comedy, and our bonding. If time allows, Bert comes over and teaches them how to play doctor.

Keep some of the familiar conventions but justify them. The floating tea party is the result of the children being drugged. The dancing penguins is a bad acid trip. I have some leftover designs for the Penguin in DARK KNIGHT. We can use those.

Keep the scene where Mary takes the kids to the bank to see their disinterested banker father (who has a dark past, by the way) and it turns into chaos. But let the chaos be a bank robbery. Let the children be held hostage. Let their father learn to appreciate his children by seeing guns to their heads. Let Mary impale one of the robbers with her umbrella. Let it go right through him. This starts a gun battle. One of the children dies. That will get the dad’s attention to really love the remaining ones.  Let the dead child be his favorite.  That ups the anguish -- always a crowd pleaser. 

Eventually the family’s home is bombed so there’s no further need for a nanny. Mary moves on thus setting up the franchise for sequels. I have some ideas for how she can clash with Mr. Belvedere but I’ll save those for MP2: THE WAR OF THE APRONS.

As always, these recommendations are non-debatable. Please confirm their brilliance at your earliest convenience so I can get the wardrobe people working on Mary’s armored house dress.

Sincerely,

Chris