Tuesday, September 16, 2014
Mission Impossible meets Top Cat
In 1976 there was a somewhat popular movie called MOTHER, JUGS, & SPEED about ambulance drivers starring Bill Cosby, Raquel Welch (as Jugs of course), and Harvey Keitel.
Two years later ABC commissioned a TV pilot of the movie. They changed Jugs to Juggs so it would sound (or at least read) less sexual… although unless you’re from the hills of Kentucky there is no other meaning for “jugs.” Tom Mankiewicz, who wrote the screenplay, was hired to write the pilot.
For whatever reason, ABC greenlit the project but wasn’t happy with the script. David Isaacs and I were recruited to do a rewrite. We were on MASH at the time, this was a project about funny medicos, produced for the same studio (20th) -- so we got the call. Whether seventeen other writers had gotten the call before us and turned it down, we’ll never know.
We accepted the assignment and met with the executive producers. Here’s where it got a little weird. The two executive producers were Bruce Geller (who created MISSION IMPOSIBLE) and Joseph Barbera (one half of Hanna-Barbera, the animation mill that turned out Huckleberry Hound, Yogi Bear, the Flintstones, Jetsons, etc.). Kind of an odd pairing. Apparently the idea for the original movie was Barbera’s so that’s how he got involved. Bruce Geller’s involvement? I have no idea.
They met with us and told us what they wanted. The realism of MASH. It shouldn’t feel sitcommy. The humor had to come out of attitudes and real situations. We were to think of this as a drama with comedic touches. Okay. That was fine with us.
Everyone was pleased with our rewrite (despite not doing the gurney gag), and the show was filmed. No actors from the movie participated. Ray Vitte, Joanne Nail, and Joe Penny got the lead roles. I never saw it. The show was not picked up. But that figures because in our entire career we’ve never gotten a show picked up by ABC – we’re talking 30 years, 50 regimes, and three owners.) It aired that year in August on Failure Theater, but I was either busy or just didn’t care. We were uncredited (which was fine).
The real kick for me was being in a story session with Joe Barbera. Yeah, his gag was absurd. But as a kid I loved Hanna-Barbera cartoons (I still do). I would drive by their complex on West Cahuenga Boulevard in the valley and wish that I could work there. Or even get a tour. And now I was in a room with the man himself. And he was pitching me Top Cat. Dreams sometimes do come true.