Tuesday, March 29, 2016

Tuesday vs. Friday

Multi-camera shows that film before live studio audiences generally shoot on Tuesday or Friday nights. That way two shows can share one camera crew. I’ve been asked which of those nights I prefer and why? My answer is Tuesday and it stems from my first foray into playwriting.

A hundred and ten years ago my writing partner, David Isaacs and I wrote an evening of one-act plays. It was more of an exercise really. We did four one acts in four different comic styles. The small theatre scene in LA was booming at that time. Melrose Ave. had ten or fifteen 99 seat theatres, one more charming than the next. To get to OUR theatre you continued east on Melrose until you heard gunfire then you turned right. Once you got to the first building that wasn’t on fire you turned into the lot and you were there. The 5th Street Studio Theatre on 5th and Western over a pizza parlor. We were practically on Broadway.

Our shows ran Friday and Saturday nights for a month. We wanted to close before the summer and any riots. Amazingly, we had good crowds.  On the first Friday night things were going great. Each act worked. Lots of laughs. The finale was an all out farce – people running in and out of doors, hellzapoppin’. It was 45 minutes long. For the first half hour the audience roared and then suddenly…they just stopped laughing. We couldn’t believe it. The last fifteen minutes (the big wild finale) was greeted with stone silence.

David and I were so thrown we didn’t know what to change. So we decided to just leave it, watch carefully the next night and see just where the play goes off the track.

On Saturday we had another good house.  The farce started, the laughs started, we braced ourselves…but this time they didn’t stop laughing. All the way through. In fact the laughs were bigger at the end.

Tremendously relieved, we concluded we just had a bad crowd the previous night (all of their cars had been broken into and they were bummed) and left the script alone.

But the next Friday night the same thing happened as the previous Friday. At the half hour mark the laughs stopped. But on Saturday night they were there wire to wire. And this pattern continued throughout the run.

What it taught us was that Friday night audiences are tired. It’s been a long week, they’ve just come from work and at a certain point they’re just pooped. Saturday crowds had a day to relax.

Since then we’ve always shot our shows on Tuesday nights. It’s the middle of the week, it gives people something to look forward to, and most importantly, they have more energy.

I’d feel bad for those four Friday night audiences but hey, they got home alive. You can’t ask much more from theatre in Los Angeles than that.

7 comments:

Anonymous said...

The obvious question is "Why not shot on Saturday night?" Cost?

-30-

Steve Pepoon said...

I always preferred Friday nights. End of the week, you put on your show and then go out afterwards for a little celebration. It always sucked to me to work until 10:00 PM or later and have the adrenaline rush of the live show with an audience, then have to rush home, try to get to sleep, and be back the next morning to start a new episode. Plus it wasn't fun to do the last big night of rewriting on a Friday night.

Glenn said...

Ken, besides "A or B?" do any of your theater scripts exist anywhere?

Ken Levine said...

I have two other plays, GOING GOING GONE and UPFRONTS AND PERSONAL and several one acts. All available for production.

CarolMR said...

RIP, Patty Duke.

Paul Lauden said...

I also like Tuesday because you can often get 2 x 1 Tacos. And by Friday I'm kinda tired. Plus, no taco discounts! : )

Myles Warden said...

Everyone always gets the weekends off. Everyone except writers who's work is never done. Lol.