writer/blogger, Earl Pomerantz. Topics included the usual: shows that aren’t funny, baseball, health insurance, our kids, Hawaii, and of course other writers.
And that got us to thinking of others who made the switch from half-hours to hours. I am a huge fan of Shawn Ryan. THE SHIELD is one of my all-time favorite shows. But when I met him a few years ago he said his real goal when he got into the business was to write for CHEERS. His comedy scripts weren’t cutting it and he gravitated towards drama (where he is an exceptional writer). Likewise, David Shore wanted to be a yuckmeister but found much more success creating HOUSE. And sitcom hopeful Leonard Dick is an integral part of THE GOOD WIFE.
Matthew Weiner toiled on BECKER and THE NAKED TRUTH before sliding over to THE SOPRANOS and MAD MEN. Comedy veterans Janet Leahy, Tom Palmer, Michael Saltzman, and even my writing partner David Isaacs all had stints on MAD MEN.
Alan Ball was on staff of CYBILL (poor guy) before writing AMERICAN BEAUTY and then SIX FEET UNDER.
Was DESPERATE HOUSEWIVES considered a drama? Well if so, add a bunch of former FRASIER writers to the list – Anne Flett Giordano, Joe Keenan, Bob Daily, Lori Kirkland to name a few.
And former CHEERS scribe, Phoef Sutton worked on TERRIERS and BOSTON LEGAL.
I’m sure there are plenty of other examples but they needed our table.
This phenomenon makes sense to me. A good comedy is just drama with a comedic spin. Comedy writers still have to know dramatic structure, suspense, and at times, tapping into genuine emotion. But the ability to write and construct comedy requires a different skill set than drama.
Some drama writers might disagree. And often when they do attempt a comedy they treat it like they’re slumming. David Mamet writes brilliant dramas but sorry, his comedies aren’t very funny – certainly not as funny as he thinks they are.
This discussion made Earl and me feel better about ourselves, which was really the point. Especially after the discussion of health insurance. Comedy writers rule! Fortunately for you drama writers, most scripted shows are dramas. And many have dashes of humor. Maybe one reason why drama writers aren’t getting into comedy is that they don’t have to.